While I’m usually one to enjoy
cheesy movies, Dr. Faustus really rubbed me the wrong way for several reasons. Most
of all, it suffers from the same problem as Roman Polanski’s version of Macbeth
in that its greatest weakness is the script’s strict adherence to the original
text. In order to keep from being nothing but a filmed performance of the play,
it has to make itself as visual interesting as possible. Essentially, it is
limited to having no identity beyond how it presents itself visually. However,
while Macbeth succeeds in this regard by appropriately juxtaposing its more
abstract visual elements with mundane ones, Dr. Faustus doesn’t have a single
set that isn’t excessively dressed and garishly lit. In the scene at the
graveyard, for example, there is no sense that this is an especially sinister
place because the previous scene took place in a shadowy room decorated with
skulls. There’s no sense of Faustus’ descent into his dealings with the demonic
because every set from the very start is equally menacing.
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